A series of works on skulls, bones and panels depicting the rituals and remains of a fictional civilization, in which consumerism has become a religion.
A series of works on paper featuring portraits of domesticated animals, bred for their meat or dairy.
The series depict a dystopian view on wildlife left after overconsumerism and overpopulation.
Some species of livestock no longer occur in their original, non-domesticated, free-living form, and are totally dependent on humans for their continued existence.
A series of works on scientific specimens depicting the supermarket environment as a contemporary "Wunderkammer", a place where collections of animals and plants can be found, and where the human species gather and hunt.
A series of works on panel depicting surreal compositions of natural history, with reference to the hypothetical process by which living organisms would develop from nonliving material.
A series of works on skulls and skeletons, commenting on society's ills using anthropology and brand name culture imagery with reference to the seven deadly sins. Originally intended to provoke awareness to a largely illiterate population.
A series of works on panel depicting a surreal view on the influence of global branding and mass consumerism. The titles of the works refer to a science that searches for animals that are considered extinct, or which appear in myths and legends. Nowadays, people know more brands and logo's than animal or plant species.
A series of works on panel and ivory, depicting the animal as a product.
A series of works on panel depicting evolving nature adapting to human domination.
A series of works on canvas and paper from a consumer point of view, showing shop shelves, a scrap yard, amusement parks and a fast food restaurant.
Pictures from installations of works at selected exhibitions.